Progress and Set-Backs

Much to what was at first great annoyance, the second of Thursday’s two shoot couldn’t go ahead as my 50mm f/1.8 II has become locked onto my camera body and will not detach.It still fully works, but is of course limited to just the 50mm. I am currently looking into getting the camera looked at / fixed. It’s just a fact that has to be faced, however I now see that all is far from lost.

Today for example has been rather positive and productive with two further photograph concepts in the works. So, the first of these I will test and revise later in the week while I plan the second further. Beyond this the unshot image from Thursday will hopefully be done soon.

Minor technical difficulties. Regular scheduled timetable will resume shortly.

A Test Panorama on Flickr.Via Flickr:
Today consisted of attempting panoramas, which was an incredibly enjoyable experience. Not only that, but it also consisted of doing so via the use of a 303 Plus Precision Panoramic head, A lovely piece of kit indeed.
This particular pan is a six-image stitch panned using the twelve interval setting on the head. I would have created the full 360 degree panorama, but capturing only half of a person in the seventh image ruined the seamless connection. Along with this, there is also clipping issues on the ninth image, with a nine image panoramic not uploading for some reason.

A Test Panorama on Flickr.

Via Flickr:
Today consisted of attempting panoramas, which was an incredibly enjoyable experience. Not only that, but it also consisted of doing so via the use of a 303 Plus Precision Panoramic head, A lovely piece of kit indeed.
This particular pan is a six-image stitch panned using the twelve interval setting on the head. I would have created the full 360 degree panorama, but capturing only half of a person in the seventh image ruined the seamless connection. Along with this, there is also clipping issues on the ninth image, with a nine image panoramic not uploading for some reason.

Eternal Skies on Flickr.Via Flickr:
This shot didn’t completely turn out how I’d indented. Although this image is completely unedited (as I am for the time being still sticking to not changing the shots in any way), I did preview the shot in Photoshop as to how it would have looked if the foreground had been more silhouetted, then I feel it would have in fact looked like the lower section of the image had in fact been added in post-production, very much so on the far left. However I mainly wanted the effect to take place on the opposite side of the shot to hide many of what I feel are quite distracting and ‘messy’ elements of the composition.

Eternal Skies on Flickr.

Via Flickr:
This shot didn’t completely turn out how I’d indented. Although this image is completely unedited (as I am for the time being still sticking to not changing the shots in any way), I did preview the shot in Photoshop as to how it would have looked if the foreground had been more silhouetted, then I feel it would have in fact looked like the lower section of the image had in fact been added in post-production, very much so on the far left. However I mainly wanted the effect to take place on the opposite side of the shot to hide many of what I feel are quite distracting and ‘messy’ elements of the composition.

Sunset Roadsign on Flickr.

Sunset Roadsign on Flickr.

In The Mist II on Flickr.

In The Mist II on Flickr.

In The Mist on Flickr.

In The Mist on Flickr.

Big Brother’s Ever Watchful Eye on Flickr.Via Flickr:
This was taken at the bottom of Bond Street, Brighton, so technically not where I live. Despite that, I’ve always felt I’ve had a connection to the city, being born there and spending a small portion of my life living there. It’s been somewhere I have always admired and been quite fond of.
For this particular shot, I took the more ‘traditional’ approach for the brief; providing only a snippet of the ‘bigger picture’.

Big Brother’s Ever Watchful Eye on Flickr.

Via Flickr:
This was taken at the bottom of Bond Street, Brighton, so technically not where I live. Despite that, I’ve always felt I’ve had a connection to the city, being born there and spending a small portion of my life living there. It’s been somewhere I have always admired and been quite fond of.

For this particular shot, I took the more ‘traditional’ approach for the brief; providing only a snippet of the ‘bigger picture’.

Remnants on Flickr.Via Flickr:
This image was taken not too far from my house at all. Again, it doesn’t really show a glimpse of where I live, but something individual and different. Whilst it isn’t directly clear to me, I would quite like to think to the right person this could potentially have a ‘deep artistic meaning’, whatever that truly may be.

Remnants on Flickr.

Via Flickr:
This image was taken not too far from my house at all. Again, it doesn’t really show a glimpse of where I live, but something individual and different. Whilst it isn’t directly clear to me, I would quite like to think to the right person this could potentially have a ‘deep artistic meaning’, whatever that truly may be.

Green Grass, Yellow Pages on Flickr.Via Flickr:
As soon as I saw this, a copy of the Yellow Pages thrown amongst the greenery, I felt it fit the brief rather well. Whilst it may be far from a homage to my home, it shows something odd from the area. Yes, this could of indeed been anywhere, but never again will such a thing be an exact replica. 
I would also like to point out that focusing more-so on the background was a deliberate choice. With such a shot, the view would be inclined to focus more on the central object, the subject. However since I didn’t, I feel the viewer would be more incline to physically take a step back, which would of course make the overall clarity seem greater than viewing closer up and to also take a wider look at the shot as a whole.

Green Grass, Yellow Pages on Flickr.

Via Flickr:
As soon as I saw this, a copy of the Yellow Pages thrown amongst the greenery, I felt it fit the brief rather well. Whilst it may be far from a homage to my home, it shows something odd from the area. Yes, this could of indeed been anywhere, but never again will such a thing be an exact replica.

I would also like to point out that focusing more-so on the background was a deliberate choice. With such a shot, the view would be inclined to focus more on the central object, the subject. However since I didn’t, I feel the viewer would be more incline to physically take a step back, which would of course make the overall clarity seem greater than viewing closer up and to also take a wider look at the shot as a whole.